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My current practice focuses on paintings that take part in a life cycle: they are composed with natural materials. Each cycle starts humbly, with a seed, a cutting, or other plant material. Branches, leaves, flowers, oak galls: they become inks and pigments in my garden laboratory. The botanical colours are alive and moving, interacting with light, time and textures of paper. They speak of ephemeral and quietly transitioning life qualities to treasure. These works are not made with eternity in mind, but with the wish to return to the earth at the end of their cycle — to disperse and take on new forms.